Search results for "Dark Romanticism"
showing 3 items of 3 documents
Estetyczne nowatorstwo poematów Tomasza Augusta Olizarowskiego - od "Zawieruchy" do "Car-dziewicy"
2015
The article presents an almost totally forgotten poet, playwright, November Uprising fighter and émigré - Tomasz August Olizarowski. Having carried out a research in the Polish Library in Paris, the author delves into the life and work of Olizarowski, focusing on his existing manuscripts and assessing the aesthetic value of his selected works. Particularly, the analysis concentrates on Ukrainian themes, as well as melancholy, macabre, grotesque and mysticism.
Na Ujbackim stepie... Kreacje Tatarów w poematach Tomasza Augusta Olizarowskiego
2016
The article presents literary images of Tatars, which can be found in two poetic novels by the forgotten Romantic author, Tomasz August Olizarowski (1811-1879). The first of them, printed in 1836, is Krzyż w Peredylu. Pieśń wołyńska (The Cross in Peredil. A Volhynian Song), published for the second time in a revised version as Topir-Góra. Powieść wołyńska. Wedle miejscowego podania (Topir-Mountain. A Volhynian Novel. According to a Local Folk Tale). The second one, which in its title already refers to the Tatars, is Car-dziewica. Powieść tatarska (The Virgin-Tsar. A Tatar Novel), written in 1866. In Krzyż w Peredylu and in Topir-Góra, the poet shows Tatar people as representatives of the no…
Lwowski debiut Tomasza Augusta Olizarowskiego
2020
Tomasz August Olizarowski, born on March 10, 1811 in Wojsławice, in Galicia, still be- longs to the group of the unknown and unjustly forgotten poets and playwrights. One hundred and thirty five years have passed since his death, and so far there has been neither a critical edition of his rich literary output, nor a monograph devoted to him. Most of his texts remain in manuscripts collected at the Polish Library in Paris and at the Library of Kórnik. The latter holds among its collections the first volume of his Psalms, most probably published by the poet in L’viv in 1832, compared by an unknown 1833 reviewer to the works of Jean Paul (Johann Paul Friedrich Richter) and even to J.W. Goethe’…